Thursday, September 23, 2010

williams and contemporary rhetoric

My opinion about James D. Williams's writing has changed for the better since the first chapter. At first, I felt like his writing was just like mine. His voice sounded like that of a college student with the way he introduced direct quotes and judged his research. However, Williams seems to write better about the history of rhetoric from this century.

At first, the way Williams describes writing pedagogy, and then refutes it for one reason or another, made me a little uneasy. By the end of the chapter, I was afraid that I would feel unconvinced and hopeless-- as if Williams would finally end up revealing the "best" method of teaching writing, but I would feel skeptical. After all, who's to say another Williams will not come along and disprove everything that this author believes?

But I wound up agreeing with the author as he traced the improvements of writing education over time. And by the 1960's, with James Kinneavy's A Theory of Discourse, I was hopeful.

This was my favorite method of both teaching (hypothetically) and learning writing. However, I noticed a peculiar pattern in my own education as I read over the history. In my elementary school, we first used the process principle (I still remember the construction paper chart on the wall with the steps laid out and illustrated), then in middle school we seemed to revert back to current-traditional methods. In high school, these methods continued for some classes, and other writing classes, like the more creative ones, were taught by a particular free-spirited and flighty instructor.

My own shaky history of learning writing helped me to understand this chapter, especially when William's references, "the plague of American public education."

Blog 4: Williams

The beginning of this chapter was quite relevant to me, based on the topic of my writing proficiency portfolio essay. In the essay, we were challenged with the task of writing a document (with research) supporting grammar education in the schools. When writing this essay weeks ago, I was in strong support of grammar education, mostly because I fondly recalled my own experience being drilled mercilessly, thankful for what has resulted in writing relatively error-free pieces. Because I don't have to focus on my spelling, grammar, and mechanics, I'm at the stage in writing where I can focus on content.
Williams brings up some interesting perspectives regarding the teaching of grammar in primary and secondary settings. "Thus, by focusing on bits and pieces of writing--sentences, paragraphs, and grammar--the current-traditional approach ignores most of what writing is about. Moreover, telling students about the structural features of writing has little, if any, effect on writing skill because as soon as students actually start composing, they quite naturally focus on meaning," (Williams, 45). I do agree that writing is much more than jotting words on to a page. What I don't entirely agree with is that teaching grammar "ignores most of what writing is about." I believe teaching grammar seeks the long-term result for the student, consisting of professional, polished works. As a reader, if I pick up a paper that has oodles of errors, I find it difficult for me to move past that and focus on the actual content. I believe anyone in education would/should have that eye.
I believe a common-ground solution to this issue would be what Dr. Kearney had us practice during the peer review process of our Literacy Narrative. First, you read the paper for content and ONLY comment or offer criticism on that. The second part of the process that I would tweak for primary or secondary students would be that the paper should then be checked for grammar, mechanics, spelling, etc. At the college level we (hopefully) can catch most of our mistakes, but as educators, our job will be to guide and reinforce positive writing habits. For me, I believe we still have an imperative obligation to eqiup our students with tools that will serve them in the future. I don't know anyone that does not need to use at least verbal communication for their occupation and daily life. That said, a grammar education is important. Perhaps it is not so important, and perhaps the way we go about it is entirely wrong, but I believe the knowledge gained can serve anyone in their walk of life.

Wednesday, September 22, 2010

Grading, Authenticity, and WAC

With this blog I will maintain focus. I’ve read over my previous writings this semester (and a previous one) and found that I often choose an idea, then proceed to splatter a stream of consciousness rant about it for paragraph or two, sometimes four. Not this time. I will be the anti-me. I will work towards my set objective. I’ve sat down and thought about what I was going to write on and off for several hours. Peter Elbow must surely despise this.

For some reason, I am staring at a blank page. I’m gazing at the series of quotes I wanted to elaborate on, but my mental analyses of them are all running together. Perhaps, I will attempt to mix some structure with chaos. If the final result is unreadable or unsatisfactory, you will not have read this sentence.

Quote 1: from Grading Student Papers
“Another very visible pedagogical feature of the current-traditional approach lies in how teachers grade student papers: They edit them as though they are preparing manuscripts for publication, even though students never have the opportunity to correct mistakes, then assign a grade at the end of the paper followed by a written comment justifying the grade” (45).

Commentary:
Tisk, tisk tisk. This drove me mad when I was a high school student. I think it would drive me mad now. Punishment, it seems, is encoded into our psyche. I am not convinced that it is the ultimate deterrent though (I WILL maintain focus here). Suppose a student is assigned a paper in which he/she is supposed to debate an issue. They hand the paper in, and plan to receive it back in a day or so. They spent an enormous amount of energy developing their argument and have done a massive amount of research. They are able to provide beautiful metaphors and rely heavily on pathos that comes across as both thought provoking and genuine. In fact, the paper is brilliant. It is perhaps the greatest paper developed by a middle school student to have come across the desk of Mr. Bean. But when the student receives it back, the page is filled with red slashes. Even the C+ at the top is carved in red. Does this student deserve to be punished with a C+ when the student next row over has provided a lackluster argument but was grammatically perfect? It seems almost laughable, but who in their right mind would consider this anything by a preventative punishment. Real speech is messy, and like Williams states elsewhere in the book almost void of analysis by auditory means (structurally) (*). I’ve noticed that some professors at PSU actually have given students a chance to redo their paper if it a grammatical atrocity. I like this idea. A lawyer would never win in court if his argument were horrendous. But, a few slips of grammatical accuracy will not affect the outcome of the trial (in most cases).

Quote 2: from The Allure of Authenticity
“[The New English movement] allow students to use their own powers, to make discoveries, to take alternative paths. It does not suggest that the world can best be examined by a set of rules. It does not utilize Errors Approach. It constantly messes around with reality, and looks for strategies and tactics that work… The program gives the student first, freedom, to find his voice and let his subjects find him; and second, discipline, to learn more professional craft to supplement his already considerable language skills” (61).

Commentary:
Yes

Quote 3: from WAC at the Middle and High School Levels
“They do writing that is focused in ways that help them master content. In the process of writing about the subject matter of a course, students learn more about it and simultaneously gain familiarity with the language and writing conventions of the discipline” (70).

Commentary:
I deeply agree with WAC. I would even go as far to consider it essential. I can state for myself that I have forgotten much about courses I’ve taken in college that reply on memorization and circle the correct option “skills”. Why the hell is multiple guess even an option? Even societies like Mensa have adopted this format for intelligence measurement on their tests. It doesn’t guarantee you will get a better score, but it DOES give you a 25% chance each question. Mathematically, it does not favor the student, but it does leave a window open for inaccuracy (I wonder how many Mensa certified “geniuses” are actually better guessers or lucky chaps). Even an exercise as simple as vocabulary does not necessarily deserve to have a multiple-choice option. Teachers can provide an exam that allows students to put practical use to words (ala a written paragraph or two that makes use of the weekly words).




*I cannot find the direct quote since the time I’ve read it over a week ago.

Grading, Authenticity, and WAC

With this blog I will maintain focus. I’ve read over my previous writings this semester (and a previous one) and found that I often choose an idea, then proceed to splatter a stream of consciousness rant about it for paragraph or two, sometimes four. Not this time. I will be the anti-me. I will work towards my set objective. I’ve sat down and thought about what I was going to write on and off for several hours. Peter Elbow must surely despise this.

For some reason, I am staring at a blank page. I’m gazing at the series of quotes I wanted to elaborate on, but my mental analyses of them are all running together. Perhaps, I will attempt to mix some structure with chaos. If the final result is unreadable or unsatisfactory, you will not have read this sentence.

Quote 1: from Grading Student Papers
“Another very visible pedagogical feature of the current-traditional approach lies in how teachers grade student papers: They edit them as though they are preparing manuscripts for publication, even though students never have the opportunity to correct mistakes, then assign a grade at the end of the paper followed by a written comment justifying the grade” (45).

Commentary:
Tisk, tisk tisk. This drove me mad when I was a high school student. I think it would drive me mad now. Punishment, it seems, is encoded into our psyche. I am not convinced that it is the ultimate deterrent though (I WILL maintain focus here). Suppose a student is assigned a paper in which he/she is supposed to debate an issue. They hand the paper in, and plan to receive it back in a day or so. They spent an enormous amount of energy developing their argument and have done a massive amount of research. They are able to provide beautiful metaphors and rely heavily on pathos that comes across as both thought provoking and genuine. In fact, the paper is brilliant. It is perhaps the greatest paper developed by a middle school student to have come across the desk of Mr. Bean. But when the student receives it back, the page is filled with red slashes. Even the C+ at the top is carved in red. Does this student deserve to be punished with a C+ when the student next row over has provided a lackluster argument but was grammatically perfect? It seems almost laughable, but who in their right mind would consider this anything by a preventative punishment. Real speech is messy, and like Williams states elsewhere in the book almost void of analysis by auditory means (structurally) (*). I’ve noticed that some professors at PSU actually have given students a chance to redo their paper if it a grammatical atrocity. I like this idea. A lawyer would never win in court if his argument were horrendous. But, a few slips of grammatical accuracy will not affect the outcome of the trial (in most cases).

Quote 2: from The Allure of Authenticity
“[The New English movement] allow students to use their own powers, to make discoveries, to take alternative paths. It does not suggest that the world can best be examined by a set of rules. It does not utilize Errors Approach. It constantly messes around with reality, and looks for strategies and tactics that work… The program gives the student first, freedom, to find his voice and let his subjects find him; and second, discipline, to learn more professional craft to supplement his already considerable language skills” (61).

Commentary:
Yes

Quote 3: from WAC at the Middle and High School Levels
“They do writing that is focused in ways that help them master content. In the process of writing about the subject matter of a course, students learn more about it and simultaneously gain familiarity with the language and writing conventions of the discipline” (70).

Commentary:
I deeply agree with WAC. I would even go as far to consider it essential. I can state for myself that I have forgotten much about courses I’ve taken in college that reply on memorization and circle the correct option “skills”. Why the hell is multiple guess even an option? Even societies like Mensa have adopted this format for intelligence measurement on their tests. It doesn’t guarantee you will get a better score, but it DOES give you a 25% chance each question. Mathematically, it does not favor the student, but it does leave a window open for inaccuracy (I wonder how many Mensa certified “geniuses” are actually better guessers or lucky chaps). Even an exercise as simple as vocabulary does not necessarily deserve to have a multiple-choice option. Teachers can provide an exam that allows students to put practical use to words (ala a written paragraph or two that makes use of the weekly words).




*I cannot find the direct quote since the time I’ve read it over a week ago.

Chapter 2

Wow! This chapter covered quite a bit of ground! It’s all a little overwhelming.

Well, I suppose I’ll start at the beginning, then. In the first section, Williams explains the “four major pedagogical influences on contemporary rhetoric: classical rhetoric, current-traditional rhetoric, new rhetoric, and romantic rhetoric” (42). In high school, current traditional rhetoric was the norm. Most of the writing we completed was assigned to test our comprehension of the subject matter (plot, characters, themes, etc.), and it was graded formally, based on a scale covering varying degrees of right to wrong (with little room for deviation to express personal thoughts). Before reading this chapter, I had not heard of new rhetoric, so no examples of its application in my life come to mind. Romantic rhetoric is my favorite of the four categories. I did not begin to encounter this type of writing with any sort of regularity until college, and while I realize it is not practical for every instance, I do find it enjoyable. Williams defines romantic rhetoric as being “concerned with individual feelings and a search for personal truth” (59). I enjoy writing imaginative pieces in which my personal views and opinions are permitted to have worth, so it makes sense, then, that I find this type of writing appealing. Finally, classical rhetoric, which was explored in depth last week, is also an area of interest for me. I enjoy reading and studying classical dialogs and I find it fascinating to learn about ancient methods of rhetoric.

I liked the section on writing across the curriculum. I’ve seen this term thrown around quite a bit elsewhere, but I liked the way this chapter explained the concept. I feel I understand it now, and I feel I have a better understanding of how it can be applied to a real-world setting. It seems like a tough thing to implement, but if state mandates and personality clashes do not prevent it from working, it sounds like a great way to give writing meaning.

The final section confused me a little. Somewhere throughout the passages I lost sight of the rhetoric and only saw politics. Maybe that’s the point? I do not know. The part about rhetorical stances (insider to insider, insider to outsider, outsider to insider, and outsider to outsider) made sense, as did most of the other subjects mentioned in the first few pages, but he lost me after a few of the opening sections.

blog 4

I love, love, LOVE the idea of WAC. This is what students need to be doing. We need to be teaching them that writing is not just something they do in English class; it is something we do every day, in every aspect of life. We write reports, emails, letters, notes, articles, papers for schools...wall posts on Facebook.

As for the the other theories, I think a nice combination of all of them is probably of best. In my opinion, there has to be structure and grammar and rules. There also has to be a reason for writing, but writing is largely personal. It's a release. All these approaches to teaching writing have merit, and I will probably take a piece of each one and implement it into my classroom.

Losing Reconstructing My Voice

Losing Reconstructing My Voice

"When schools fail… societies begin to fall apart" (79)


 


Did anyone else get chills down their spine when reading that statement? If you didn't, what the hell are you doing in this class? Williams, consciously or subconsciously, seems to construct two paradigms of rhetoric and composition that we can work with. And because of the Star Wars buff in me, let's label these two paradigms Dark Side and Light Side.

The Dark Side uses the efficiency/economic model. The Dark Side sees value in using rhetoric and composition as a tool to produce productive worker (non-thinking) bees. Economics is its father. One of the goals of the Dark Side is to eliminate thought/voice and, according to their model, the best way to stifle/supplant voice is to change/mold rhetoric and composition to obey the purpose of production and consumption. No one in this model wants voice or thought; it challenges power structures and status quo. We lose our voice we can be controlled.

The Light Side is quite different. It sees its purpose as to dismantle academic writing insofar as academic writing operates in the efficiency/economic model that suppresses/supplants voice. Williams is wrong to suggest, as he does on page 85, that "The real danger lies in the prospect that some teachers, once they close their classroom doors, are so shut off from the communities they serve that they aim to produce anarchists and scofflaws (whatever that is) rather that contributing members of society". This illustrates a fundamental misunderstanding of politics and the systems that operate on an everyday basis.

For the past 40 years there has been a shift in American thinking/thought process from FDR New Deal sense of community to Barry Goldwater individualistic brand of conservatism. These professors have a monumental / colossal task at hand – shifting the balance of power back in the direction of common sense Progressive/Liberal ideology. This is the core of the conflict. This is what Williams, to this point, seems to be missing – though maybe he is leading us to this final destination. How is rhetoric and composition used? Why does our ability to write continue to decrease?

if we have learned nothing to date in Julie's class I hope we've learned this: silent classrooms are a serious obstacle to learning. So is silencing our voice

WAC

Writing Across the Curriculum... This is a term I have heard throughout my tenure at Penn State, but never was QUITE sure what it exactly meant. NOW I suppose for Williams here to define it so well for me, I can see its place in the world of academia.
On Pg. 44, Williams makes a very interesting point that drives my interest in this chapter. One will never write "English Papers" after they're out of college. The only reason one would be writing "English Papers" is if they are an English professor and are trying to get published for the sake of promotion. So what do we do as English teachers in the future to have our students write, be evaluated, and not be writing purely about literature? We assign writing across the curriculum assignments.
If instead of assigning a paper on John Keats in an English class, one assigned a paper on World War II, a student is forced to expand their skills and increase their aptitude by reaching for information outside the world of English. They can then take that information then, and apply the rules of writing.
I see this as a useful tool; when a student is able to apply knowledge from each subject and discipline they are forced to grow and incorporate skills within each other.

Writing--the crisis

There’s a lot to digest in this second chapter about rhetoric, writing, and everything in between.

In my opinion, the theory behind T-units (p. 49) is indicates how good a person is at writing. Longer sentences typically mean the person has a larger vocabulary and that the person knows the structure and use of language. The fact that simply teaching structure didn’t improve the writing of students also shows more is necessary than just teaching rules of grammar and English. Drills, grammar rules, and practice are tools which can help one write and communicate, but they obviously can’t teach one to write. Perhaps because the way we think is naturally irrational or erratic and writing can make sense only if the right sequence and structure fell into the place. Writing also reminds me of math; no matter how hard you tried, you could never memorize every problem; thus, the only solution guaranteed to work was to be able to know or learn how to solve every problem. You can’t teach one to write because it’s impossible to know all situations (or processes since everyone thinks somewhat differently). Even supposing the situation is familiar, writing still may not work well. Why can’t people write? People can’t write because they can’t create the necessary structure, because they can’t internalize the processing, because they can’t communicate their voice effectively, because fundamental human consciousness doesn’t work that way, or because the audience is unreceptive and those writing never receive the right kind of necessary feedback to write effectively. I honestly don’t know the answer to why some write well and others do not, but usually do know when I see good writing.

Writing Across the Curriculum also holds potential, especially for those where emphasis is on content, rather than structure. I’ve seen many majors here at Penn State have W-suffix courses. Since I’m presently taking one, from what I see, the writing still seems the same only with differing topics from a typical English composition course. (Though information about the subject is being taught.) For those who have no background in grammar, WAC courses give opportunities for individuals to expand on already known content and possibly learn a few techniques along the way in terms of writing.

I remember seeing one of Oprah’s shows the other day about the state of education in the United States. Apparently, this generation of the United States is going to be dumber than the previous one, not only that, but the United States is falling behind other countries in math, science, etc. A lot of factors come into play, one being that the educational system had to “absorb” a surge for those seeking or needing education. Education in America in earlier colonial times used to be a community endeavor, now it’s state and federally controlled. Modernization has also changed education as computers were never used for writing til the past 50 years or so of human history that we know of.

I find it interesting that the book mentions the economic status quo. Many people try to get an education to get a good decent paying job, implying the writing they need is writing that will be used for a job. So the people who feel pressured to get the necessary writing often aren’t there because writing is enjoyable to them. The political, professional, and ideological status quo also play a significant role in education. Preparing to teach writing also mentions the role of the military-industrial complex. This may be a bit of a divergence of topic and relevance, but it reminds me of a PC game called Alpha Centauri where all that remains of humanity is a spaceship called Unity. Yet, even then, the different ideological views appeared and factions formed in crisis with each faction vying for control of humanity. The factions included scientists, religious fundamentalists, democratic humanists, military survivalists, atheist communists, corporations/industrialists, and environmentalists. These same ideological viewpoints sprung up in our history as well, Athens and Sparta is just one of many examples. All these views lead to the various differences of opinion as to which is best, some views are incompatible, or so it seems anyway. Industry flourishes at the cost of the environment, political control comes with the loss of political freedom, and secular science really does not flow with religious fundamentals. How should education be improved? More specifically and relevant, how do we fix the educational writing crisis in the United States? Some look at the school system and say, "There is no control in the school system anymore," others recall how morality was there and isn't now, and still others say, "No one is free, and freedom is the answer to our education problem." Money, power, and the status quo shape our society now more than ever. Never before in our history has history changed so fast, virtually at an exponential rate, which makes every individual action ever so more important.

The chapter ends with movements thinking writing is irrelevant or at least lacks importance. A lasting note is that the writing crisis should be setting off alarms across the nation, yet it's not. (p. 96) Why not? Is society being brainwashed and glued to their sensationalist television screens? Or is fear the force that prevents us from acting against the status quo of those with wealth and power? Maybe the government is failing to do its part, especially since public education became governmentally controlled in the first place. Maybe individuals need to change or be enslaved by this status quo forever. In any case, achieving excellence, particularly in writing, will not be an easy road, and persistence is the only solution I see to improve writing.

Tuesday, September 21, 2010

blog 4

I kept asking myself throughout this section and afterwards, why are we learning this? Should I be making an outline, a cartoon, staging a boxing match between Rousseau and Descartes?

Who are we as educators? For those of us entering the education field in a short time, this is a question we are formulating answers to at this very moment. I think the last two sections are integral to our research as we begin to answer this question within a much larger framework.

Teaching is not an individual sport, thankfully. Just as we support certain factions with our dollar, our dress, etc., our teaching methods will reflect our beliefs. In order to form teams, we must know where we fall. I could see myself aligned with another teacher for the WAC framework, since I like help in solving problems and find technical writing fascinating and instantly rewarding (I'm a pro at getting interviews for anything.) Somewhat off the WAC mark, I had a group of co-teachers for my fifth grade class and found the teamwork approach made every day a fresh experience. One of my friends recently started teaching kindergarten as a co-teacher. Her transition as a first year teacher was smoother and more enjoyable than some of my other friends' first year experiences.

I found the idea of revision and rough drafts to be the closest to my own strategies for writing. It amazes me that before 1960 the idea of writing a single draft was not only acceptable but commonplace. I know this is still common practice amongst even skilled writers, but I believe firmly their planning and rough draft stages must take place solely in their heads. I understand that too much grammatical instruction is overkill without the essential idea. But, to me, grammar is really interesting. Grammar lessons should be short and well timed just as when I learned scales on the piano as a part of learning a whole piece of music. I would play the entire piece and then focus on bits and pieces.

Williams, Contemporary Rhetoric

Although lengthy, this chapter was much more enjoyable to read than the first...I think it is because I actually understood much of what was being discussed (I am not very philosophically inclined), as well as I feel it contained ideas I can utilize.

Take this quiz and see if you are Classical Rhetoric, Current-Traditional, New, or Romantic...Just kidding...but it reminded me of the personality trait quiz we took last class....Any-who...

The first and main thing that stood out to me was the entire section on Current Traditional Rhetoric. This description was basically my entire school experience (from 1st grade up until the start of college) in a nutshell. I liked the term Bottom-Up Methodology and how it describes the way teaching actually occurs, "Instruction moves from small units..to larger ones, defined not by audience, aim, or even essay, but by "rhetorical modes"-description, narration, exposition, and argument(p.44)''. What this makes me think of is that, because argumentation is dropped and structure is drilled into students heads, I picture classrooms full of robotic children simply doing what they are told and not using their brains to cook (Elbow would like that connection). I know we need some structure within the classrooms, I just think that the methods that have been in place for some time are causing the youths' brain to turn to mush because they are not thinking for themselves.
When it comes to linguistics, I think that Mr. Noam Chomsky had a good idea when he felt that "any legitimate study of language must include a theoretical component...a new grammar. (p48)". And even with the way language and writing has transformed over time, I still believe that there is an appropriate way of speech and written word.
As a youth, none of my classes were writing intensive. Yes, we wrote essays and research papers, but it never seemed that we were gaining familiarity with the language or writing conventions. It just seemed like we had to write dumb papers based off of books that no one really liked (I was a stubborn child, can you tell?). For me, these writing intensive courses came into play when I went to college and that seemed logical. After all, if I am an English major, I truly do not mind writing papers, not to mention the obscene amount of $$ I am spending on the class. Now though, I wish as a middle/high school student, we were able to write more of what we enjoyed. This way maybe I would have liked writing more. I Within this section, Williams brings up the idea of a teacher having to do too much grading....is that not what a teacher does? Grade? (WTF!) I can see myself trying to implement WAC when I become an educator. If our children need to learn to write (as well as appreciate it), than as an educator I feel it is my responsibility to meet the demands. And to those people who say it "stifles an individual voice(p.77)", I think it depends on the topics that the students are writing about. If a child is given the opportunity to choose where his or her work "will go" then that voice is not being stifled.

Monday, September 20, 2010

Williams 43 - 97

I found so much to write about in these 50-some pages that I don’t know where to start. I found reading the “Journal Entry” prompts throughout the chapter to be really thought-provoking, so I’m going to discuss the one on page 67, “Reflect on your experiences in writing classes. How would you characterize the approach or approaches used? In what ways do you believe these experiences will influence how you teach writing?” I found it really interesting that the book would ask those questions, because during the first half of the reading that is what I was thinking about.

I can see the influence of the Current-Traditional Rhetoric and Romantic Rhetoric teaching methods as being present in my writing education. Surely, as the book discusses, Current-Traditional Rhetoric was at the forefront of the early years. I used to dread getting papers back in middle school and early high school because of teachers “edit[ing my papers]… as though they are preparing manuscripts for publication.” (45) I didn’t have a good grasp on grammar until about my junior year of high school, likely due to the “failure to teach and failure to learn” (45) methods being used, and hated receiving back papers filled with red ink “corrections.” I hated having to revise a draft—which consisted of correcting the spelling and grammar and then turning it back in—and feel like I didn’t accomplish anything for the effort of revising. The rules still didn’t click and all I would do was go through the red marks and make the changes they dictated.

I distinctly remember the shift my junior year of high school into Romantic Rhetoric. I remember because it was the beginning of my grasp on grammar as well as when I started to really enjoy writing again. (On a side note, Adrienne was in this class with me when the shift occurred.) I don’t remember the name of the class, but it was structured so we had several writing tasks to complete in different genres. One of them was a personal essay, and as the book states is really when I began to see that “good writing is most effective when we tell the truth about who we are and what we think.” (62) Because I had a particular interest in the essay, other than receiving a good grade, and because the teacher took the time to suggest revisions other than just grammar and spelling for the first time I can remember, I actually started to take more pride in the work. Suddenly correcting that comma while elaborating on a point had meaning and purpose, rather than just going through the red ink and turning back in the same paper.

These experiences, as well as my knowledge of Writing Across the Curriculum (which I won’t get into—I’ll just say I think WAC is a very good concept and should be used) will shape the way I teach writing in my classroom. I find the “bottom-up” methodology to be ineffective, but at the same time I see the flaws in strictly using Romantic Rhetoric which could easily lose focus and neglect to teach the necessary grammatical framework needed to be a good writer. I am leaning more towards the methods of New Rhetoric, which I like for the idea that “the mind is predisposed to developing grammar… so children do not have to learn terminology or rules consciously; they simply have to be immersed in a natural language environment and they will, over a relatively short period, produce grammatically correct utterances.” (48)

Ultimately, and because I don’t want this blog to turn into an essay, I will end by saying that I think each method has its strengths and weaknesses, and teachers should use the parts of each that are the most valuable to the class they are teaching.

Williams pg 42-97

Well I’m going into this assignment very frustrated. I have just spent a good portion of today trying to get my son to write a reading journal. His assignment is to write 8 sentences about the book that he has spent the prior week reading. After trying to get him to tell me about the book, I realize that he has not read the book or if he has he has only skimmed over the pages of the book without really paying attention to the content. I find myself doing the latter at times and will go back over the page or the last couple of pages that I had not paid attention to. I now have to decide whether to insist that he reads the book that he has started or to let him choose another book that he finds more interesting. I am leaning toward the latter. My goal is to get him to become a more attentive reader who is able to respond to what he has read first verbally and then in writing.
Williams discusses different approaches that different teachers use in writing classes. It seems as though Williams feels that writing just for the sake of writing is an effort that is despised by students and only used as busy work for the children to keep them quiet.
Punctuation versus content and nary to two shall meet. No but seriously, Williams’ concern about “9 years of study for a subject that is not only easy but just marginally related to what writing is about” (44) is a valid one. Why is there such an emphasis on perfecting substandard content? Shouldn’t the focus be more on content than grammar? If the student is receiving a grade based on his grammar rather than the actual content, his focus will be more on whether the paper is grammatically correct rather than focusing on whether the content is worth reading. What is the answer to this perplexing dilemma? Maybe if the students were free to respond in writing form without fear of a bad grade because their grammar wasn’t the sole or major focus, the content of the paper would be more developed. Opening up reading discussions which may create a little noise in the classroom may spark the students’ interest more than quietly writing about something they probably don’t care about. By asking students to respond honestly and openly about their reading, the teacher may open up the classroom to some negativity but that is worth the possibility of also opening the student’s minds to other aspects of the reading that they may not have realized or thought about.
I am experimenting with the reading journals with my son. I have allowed him to switch books but instead of responding at the end of the week about what he has read I am having him respond verbally and in writing each night at the end of the reading. This ensures that he has actually read and understood the reading while at the same time he is cutting the time spent of the writing at the end of the week to hopefully turn the writing into a less onerous task.

Sunday, September 19, 2010

The Return of Peter Elbow

I really enjoyed reading this week’s chapter. It was insightful and a great summarization of all the modern and postmodern theories. I really enjoyed this week’s reading because Peter Elbow made a return and I better valued his ideas of growing and cooking.

While reading the first few pages of this chapter which discuss the bottom-up approach and how to grade papers, my mind immediately flew to Peter Elbow’s text. Elbow believed that everyone could write but that schools, through the use of grammatical instruction and unrealistic writing assignments, had caused generations of students to despise writing. Thus, many choose careers in either math or the sciences since those fields and jobs did not solely focus on writing (Williams 47). In Writing Without Teachers, Elbow writes that “We suffer from such a basic misconception about the process of writing that we are as bad off as the people in the parable [about the island of people who couldn’t bend their knees]” (Elbow 14). Williams and Elbow seem to both agree that all are able to be writers. We just have to break free from the longstanding stigmas that for many have killed a love of writing.

A quote on page forty-five really intrigued me. Williams writes that “Thus, by focusing on bits and pieces of writing-sentences, paragraphs, and grammar-the current-traditionalist approach ignores most of what writing is about.”(45). Williams quote reminded me why there is a major fear issue associated with writing. As teachers and potential teachers, we see through our correspondence with our first year college students how fear can be a real obstacle to writing. Elbow states that this fear “is partly because of schooling makes us obsessed with the ‘mistakes’ we make in writing. Many people are constantly thinking about spelling and grammar as they try to write. I am always thinking about the awkwardness, wordiness, and general mushiness of my natural verbal product as I try to write down words” (Elbow 5). Indeed, many of our students reported that they were worried about either showing or sharing their paper with their peers. Even when we did our peer review of our literary narratives, many people shared how they were nervous or uncomfortable. The reason why we and our students got nervous about sharing our work with others is simple. For too long, we have been trained, through the use of red pencil marks, symbols like awk, class labels (general vs. AP) and teacher comments (see me after class to discuss alternative project, your work is poor, where was your mind, etc.) to see ourselves as poor writers who make “simple, basic or remedial” mistakes and really are “barbarians pouring through the gates of academe” in the hope of “becoming civilized” (Williams 50). Thanks to the Harvard Influence, writing has continued to be feared because people are constantly told how flawed they are. Thus, many students will only see themselves as writers when they get the “A” otherwise, they will believe that they have failed.

However, it is the system that is flawed. Williams writes that “Moreover, telling students about the structural features of writing has little, if any, effect on writing skills because as soon as students actually start composing, they are quite naturally focus on intention and meaning” (Williams 45). Elbow agrees stating that
“Think of writing then not as a way to transmit a message but as a way to grow and cook a message. Writing is a way to end up thinking something you couldn’t have started out thinking. Writing is, in fact, a transaction with words whereby you free yourself from what you presently think, feel and perceive…it’s the best way you can work up to what you really want to say”(Elbow15).
Hence, freewriting exercises are valuable because they allow the student to get more comfortable with writing and it teaches them to stop editing while writing. More importantly, it allows the student to explore issues x, y and z and to fully allow them to be examined. Williams in his section on New Rhetoric and Process writes that “Students are encouraged to focus first on what they want to say rather than on how they want to say it” (Williams 53). Thus, students can focus on writing for writing sake (cooking) and then work on revising their draft (growing). Elbow had dreamed that one day students would first write than edit instead of doing both at the same time. Peter Elbow writes that “Editing, in itself, is not the problem… is usually necessary if we want to end up with something satisfactory. The problem is that editing goes on at the same time as producing…It’s an unnecessary burden to try to think of words and also worry at the same time whether they’re the right words” (Elbow 5). Thus, one is able to see that Elbow’s theory of growing and cooking really were resourceful and practical, while the Harvard Influence educational process focused on a once and done principle that created a fear of (and sense of helplessness in) writing in students for years.

I really loved this chapter and I apologize for the length of this blog. There was some great food for thought in this chapter and it definitely helped my understanding of Elbow’s text. Elbow was championing for students to end their long held fears of writing and to really allow their voice to be known, claimed and heard. Williams in this chapter outlines how the various theories have both positively and negatively affected writing. Cannot wait to talk about this chapter on Thrusday!!!!One question: Is blogging a present day example of romantic rhetoric?